Tuesday, November 15, 2016

Citizen Kane & The Hays Code

The Production Code
1. Do you believe that film can influence people and have a moral influence on them? Give an example to support your opinion.
I do believe film can influence people's actions but not morals. Morals are what you hold dearest, they are the values you hold in life and they are very hard to change in the first place, I can't see a movie changing someone's morals but only their actions. There have been many instances in which the actions of people have been influenced by movies. Just a few years ago in 2012 in Aurora, Colorado James Holmes shot up a movie theatre during the midnight screening of The Dark Knight Rises. He wanted to exemplify the villain in the movie. Another instance was when the the movie The Interview came out, it was about an interview with North Korea's supreme leader Kim Jong-Un, and it caused quite the stir both nationally and internationally. North Korea threatened the studio if it were released so it was released on Netflix. The hype of the controversy died quickly but for a few weeks many thought we were going to war with North Korea over a comedy movie. 
2. What do you think of rating systems for video games or movies? Are they beneficial , do you reference them, are they helpful to you? If not then why not?  If you were in charge of the world :) how would your rating system work?
I think that the rating systems used for movies and video games are very useful, more for parents buying their younger children games or deciding on what they should let them watch. They are necessary for our society today as we are more protective than ever over our young ones. I personally do not reference movie or video game ratings as I no longer worry about the offensive content sometimes contained in movies or video games. In reality I prefer movies and video games for adults, but I still watch "kid" movies and have low rated video games. They serve no real purpose for me but I understand why we need them. If I ran the world I would not change a thing about the rating system today, I feel it does a good job in regulating what content a movie contains and serves a valiant purpose. It is necessary in todays society to rate media in terms of who should watch it so our youngest kids don't watch films like Pulp Fiction or The Shinning. 
Citizen Kane
3. What elements in the movie Citizen Kane reflect that Orson Welles had worked extensively in radio and theater?  Give several examples to support your observations.
First off, Welles used many stage actors and they were on film for the first time in their careers. He thought that they were betted suited to play out the roles in his film. He also held rehearsals for scenes without filming, this does not happen in modern film making, there are many takes to a scene but rarely do they rehearse a scene like Welles did. Also, Welles love to use low angle shots and if you think about it, a low angle is the angle you would watch a play from, when you watch  a film from this angle it gives the actors a larger than life persona which is what you get when you watch a play and this film.
4. Citizen Kane is celebrated for its use of low-angle shots as a means of establishing point-of-view and of defining character.  Give an example of a  scene in which low-angle shots are used significantly.
When Kane is yelling at the departing boss Jim Gettys, the angle is from the bottom of a stairwell. Gettys is in the middle of the shot but still being heightened while Kane yells from the top of the staircase. It shows that Gettys is leaving his position of power by walking down the stairs and Kane is the sole person in charge by standing at the top of the stairs yelling a Gettys.  
5. Citizen Kane makes use of innovative transitional devices in the way it links different scenes.  Give some examples of how the film use transitions to bridge different time and space.
Kane uses the dissolve method in some scenes, where the one scene ends and it slowly dissolves into the starting of another scene. It is very cool watch and makes for a smooth transition. The first part of film uses montage editing, showing many different shots of objects, from a no trespassing sign to a creepy looking manor which is Kane's house. Another example of transition tools is when there is a close up of Kane's staff and him in a photo, but when it zooms out the picture becomes reality as it is Kane siting with his employees for a company photo. It is clear Kane likes to use many different transition tools. 
Fraley, Jason. "Citizen Kane (1941)." The Film Spectrum. The Film Spectrum, 13 Oct. 2011. Web. 15 Nov. 2016.

Sunday, November 6, 2016

The Artist

1.     Camera Work
The camera work used in The Artist is very similar to early sound films, the most of which is the framing of particular scenes. Most movies from that era focused on the faces of the actor and rely heavily on their expressions to communicate their emotions, as well as have very little background in the shot. The Artist follows this style exceptionally well, and it is hard to distinguish how the film was created so recently. One give away that the film was made recently is when the wife sees her husband being kissed by a girl on the front of the newspaper, the camera starts with the small picture of the headline and zooms out to show the whole scene. Back then this was very uncommon, most films would end a scene with the close up, not start it out with one.
2.     Sound & Music
The easiest reason for this being similar to an early sound film is the fact that it is accompanied by a musical score and it relies on this score to communicate the emotions of a scene. The music matches to the scenes of the film very well like most films from this era. During a scene where Peppy is caught kissing George’s jacket, the music quickly heightens as she realizes she has been caught. When it comes to sound and music I had a lot of trouble telling that the film was made in 2011, but one case is when the score does cut off the film is actually silent. It was hard for older films to be completely silent because the equipment was so loud.
3.     Dialogue & Speech
The Artist does resemble films from the early sound era in that you cannot hear the voices of the actors and the amount of actual dialogue in the movie is scarce. Movies nowadays often have constant talking between characters and silence is saved for dramatic parts, the Artist relies on the actors to portray their thoughts and emotions through kinesis. I knew the film was from 2011 with a simple middle finger gesture in the first part of the film, old films were not outgoing enough to show this in their films.
4.     Editing
There two distinct scenes in the Artist where they transition to another scene, one by folding the image over the old to create he new scene, and another by blacking out the screen to the middle then opening it back up to a new scene. This was very common for the early sound film era. It is clear the Artist was made in 2011 because of the sharp clarity of in all the scenes; they could not achieve this back in early sound films.
5.     Special Effects
Although I have never seen this in other early sound films, when George is at the bar he imagines a little version of himself telling him to change his ways as he is not doing anything with his life since he is no longer acting. They also show George being shocked in a clip of one if his films, the electric waves are faked but add to the scene. I could tell it was from 2011 because they did not yet have the technology to have people imagine little versions of themselves, and attempt to swat them away to no prevail.
6.     Genre Codes & Conventions
This film has a classic silent era plot, the man who has it all suddenly loses it and is torn between his crippling professional life and the new love he feels for a woman that is not his wife. He is emotionally beat with his personal and professional life and almost took his own life only to be rescued at the last second by his new founded lover. I new this film was from 2011 because they almost have a suicide occur, this was a much more sensitive topic back then and it surely would not have been in an older film.
7.     Acting

The acting in The Artist was very impressive as new age actors had to travel back in time and rely on their ability to show their emotions. This means many close ups and they must be able to change expressions based off the scene in an instant. The film was clearly from 2011 because well first off, I knew the actors in the film, and second, at the end of the film all sound can be heard and they act as if it is a modern movie for the last 30 seconds or so.

Local Film History

Before I start with the actual material of this project overview I would just like to say that I was more than impressed with Scarecrow Video and their staff. Everyone there was well versed in film history and was more than willing top help me this project. They clearly have great care for the education of film history and are true professionals when it comes to preserving their massive collection.

The reason I chose Scarecrow Video for my local film history project is because Mr. Austin had mentioned it many times earlier in the year and seemed very enthusiastic when he did. I did a small amount of research on the store and once I discovered it was the largest publicly available physical media archive in the United States, I had to see it for myself.   


I had never been to Scarecrow video prior to my visit for the interview and was blown away by the size of the store. They currently have over 127,000 different titles that are all available to rent, with their oldest film being released in 1895, their rarer titles have an RBA sticker that stands for “rent by approval” and this means the staff must approve the rental and you must put more money down because the films would be near impossible to replace. I was amazed with the vast amount of sections, 1,184 to be exact. Most of these sections are specific to one director, many of which are local filmmakers. Scarecrow is very invested in supporting these local filmmakers and has dedicated an entire room to local films. They host many rough and final edits annually and have hosted numerous movie premiers. Even though their viewing room is not exceptionally large, they offer it to rent out for free; all you have to do is set up a time and date. All of their viewing parties are set up by either customers or staff and are free to attend. From a cultural perspective Scarecrow is still relevant today, they have by far the widest range of genres, essentially if they don’t have the title then you are basically out of luck. Scarecrow represents 129 countries in its store with multiple films and clips from each of these countries. Their efforts to preserve film culture and history is matched by no one, they have 44 titles in which they may have the only publicly accessible copy, 33 titles where there are less than five other publicly accessible copies, and 88 titles that the Library of Congress does not even possess. Scarecrow discovered this exciting news when they launched an investigation earlier this year to find out just how rare their collection was. Scarecrow Video was not the first video store opened in Seattle but in time it has become known country wide for its vast title selection. They do any and everything they can to support local film arts and are always willing to work with civic groups, educational institutions and non-profits in the surrounding area. Scarecrow is the ideal video store and more should strive to be like them as I have not been more impressed with a film establishment.